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  1.  13
    Dissociating embodiment and emotional reactivity in motor responses to artworks.Alessandra Finisguerra, Luca F. Ticini, Louise P. Kirsch, Emily S. Cross, Sonja A. Kotz & Cosimo Urgesi - 2021 - Cognition 212 (C):104663.
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    Modulating Mimetic Preference with Theta Burst Stimulation of the Inferior Parietal Cortex.Luca F. Ticini, Cosimo Urgesi & Sonja A. Kotz - 2017 - Frontiers in Psychology 8.
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  3. Neuroaesthetics and beyond: new horizons in applying the science of the brain to the art of dance. [REVIEW]Emily S. Cross & Luca F. Ticini - 2012 - Phenomenology and the Cognitive Sciences 11 (1):5-16.
    Throughout history, dance has maintained a critical presence across all human cultures, defying barriers of class, race, and status. How dance has synergistically co-evolved with humans has fueled a rich debate on the function of art and the essence of aesthetic experience, engaging numerous artists, historians, philosophers, and scientists. While dance shares many features with other art forms, one attribute unique to dance is that it is most commonly expressed with the human body. Because of this, social scientists and neuroscientists (...)
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